Martin Scorsese leaps into the madness of the Rolling Stones’ organization in Shine a Light, barely controlling (in a most entertaining way) a documentary that culminates in the Stones’ best concert on film. The movie’s highly entertaining, pre-performance prologue finds a frazzled Scorsese trying to get a clue about the band’s plans for a very special New York City date in 2006, a benefit hosted by Bill and Hillary Clinton. While Mick Jagger quibbles over concepts for the stage’s set and peruses lists of possible songs to include in the show, Scorsese tries to figure out how to shoot something for which he has few production details. Everything falls into place eventually, and after an extraordinary meet-and-greet scene in which Jagger, Keith Richards, Ron Wood, and Charlie Watts catch up with the Clintons and sweetly introduce themselves to Hillary’s mom, the Stones launch into a set that leans less heavily than usual on their greatest hits canon. Longtime fans are sure to appreciate the wealth of generally-untapped material from Let It Bleed ("You Got the Silver," "Live With Me"), Exile On Main Street ("All Down the Line," "Loving Cup"), and Some Girls ("Faraway Eyes," "Just My Imagination"). Jack White, Christina Aguilera, and Buddy Guy are on hand for memorable collaborations, but the Stones all alone are truly on fire in the relatively intimate setting of a small theater. Among the highlights is a sexy and even thrilling call-and-response between Jagger and ace backup singer Lisa Fischer on "She Was Hot," Richards’ gracious and expansive solo on "Connection," and Jagger’s witty take on "Some Girls" (which manages to skip over the controversial verse about "black girls"). Throughout the show, Scorsese and an army of camera operators cover the action from every conceivable angle, which results not so much in another hyperkinetic concert film but rather in the kind of graceful, flattering portrayal of a great band that the director mastered with The Last Waltz.
SHINE A LIGHT SOUNDTRACK (2008)
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Over the course of their nearly 45-year recording career, the Rolling Stones have released eight official live albums and five theatrical feature films. Add to that the many live home video releases (including two four-disc box sets of latter-day tours) along with countless unofficial live releases, and there's simply an avalanche of live Rolling Stones material out on the market — so how does 2008's Shine a Light stand apart from the pack? That's simple: it is a prestige project, thanks to the collaboration of director Martin Scorsese. The very presence of the Academy Award-winning director, who has mined many memorable movie moments from the Stones (often involving "Gimme Shelter," which is conspicuous in its absence from this film and soundtrack), elevates Shine a Light far above the status of just another concert film. But Scorsese isn't merely just the director — he's part of the film and the soundtrack, turning himself into a cheerful caricature of his quick-talking reputation, reminding the audience that's he's part of this project (he also gets co-billing on the cover and spine of the CD!). And by sending himself up, he helps to build the band up, showing that he's powerless to compete with the force of the Stones and thereby illustrating that they're still a rock & roll force. To a large extent, the music on Shine a Light confirms this to be true, proving that the band retains a remarkable alchemy that has deepened over the years. It's useless to compare Shine a Light to such early landmarks as Get Yer Ya-Ya's Out!, as this is a different band than the roving band of marauders from 1969. This is a band that has, in Keith Richards' estimation, turned into a rock & roll equivalent of the Duke Ellington or Count Basie orchestras, players that keep on playing because that's what they do. Shine a Light bears this out, as the group has an easy interplay that avoids being lazy, even on the worn-out warhorses that close the album. There's not much that the group can do to make "Brown Sugar," "Start Me Up," or "(I Can't Get No) Satisfaction" (one of seven songs only available on the soundtrack's double-disc edition, which contains every song used in the film) new, but they hardly go through the motions on them; they do tight, muscular versions, versions that hardly sound like the work of 60-year-olds. But the real reason to get Shine a Light is to hear the band tighten up the rhythms on "All Down the Line" and then do the opposite with "Tumbling Dice," turning it into something that's looser than the original, and it's also great to hear them find a groove so smoothly funky on "Just My Imagination" that they top their original 1978 studio version. The Stones seem especially invigorated by playing with guests, letting Jack White indulge in some Gram Parsons fantasies on a good version of "Loving Cup," playing some tough, authentic Chicago blues with Buddy Guy on "Champagne & Reefer," and surprisingly getting a ferocious performance from Christina Aguilera, who navigates Mick's complicated, nasty lyrics with ease in "Live with Me." These may not be major moments but they are minor pleasures, and they're the reason why it's all right to add a ninth live album to the Rolling Stones' bulging live discography.
Disc: 1
1. Jumping Jack Flash
2. Shattered
3. She Was Hot
4. All Down the Line
5. Loving Cup (feat. Jack White III)
6. As Tears Go By
7. Some Girls
8. Just My Imagination
9. Faraway Eyes
10. Champagne & Reefer (feat. Buddy Guy)
11. Tumbling Dice
12. Band introductions
13. You Got the Silver
14. Connection
Disc: 2
1. Sympathy for the Devil
2. Live With Me (feat. Christina Aguilera)
3. Start Me Up
4. Brown Sugar
5. (I Can't Get No) Satisfaction
6. Paint it Black
7. Little T&A
8. I'm Free
9. Shine A Light
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links in comments
3 comments:
movie:
http://rapidshare.com/files/142884187/SALdvdrip.part1.rar
http://rapidshare.com/files/142843479/SALdvdrip.part2.rar
http://rapidshare.com/files/143474355/SALdvdrip.part3.rar
http://rapidshare.com/files/142822810/SALdvdrip.part4.rar
soundtrack:
http://rapidshare.com/files/142960076/SALOS08-1.rar
http://rapidshare.com/files/142955144/SALOS08-2.rar
password: MOODSWINGS
Muchos gracias, amigo!
thank you my friend
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