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Thursday, August 13, 2009

DAVID BOWIE


DAVID BOWIE
YOUNG AMERICANS (1975)
REMASTER
320 KBPS

David Bowie had dropped hints during the Diamond Dogs tour that he was moving toward R&B, but the full-blown blue-eyed soul of Young Americans came as a shock. Surrounding himself with first-rate sessionmen, Bowie comes up with a set of songs that approximate the sound of Philly soul and disco, yet remain detached from their inspirations; even at his most passionate, Bowie sounds like a commentator, as if the entire album was a genre exercise. Nevertheless, the distance doesn't hurt the album — it gives the record its own distinctive flavor, and its plastic, robotic soul helped inform generations of synthetic British soul. What does hurt the record is a lack of strong songwriting. "Young Americans" is a masterpiece, and "Fame" has a beat funky enough that James Brown ripped it off, but only a handful of cuts ("Win," "Fascination," "Somebody up There Likes Me") comes close to matching their quality. As a result, Young Americans is more enjoyable as a stylistic adventure than as a substantive record.

1. Young Americans
2. Win
3. Fascination
4. Right
5. Somebody Up There Likes Me
6. Across the Universe
7. Can You Hear Me
8. Fame

1 comment:

Anonymous said...

I like the plastic funk David Bowie did in this album. Certainly the one of the most commercial Bowie released in America but the best is yet to come. Low.

Emmanuel