TEMPEST
TEMPEST (1973)
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Tempest (no relation to the US band of the same name) were most notable for their band members. Formed by Jon Hiseman between Colosseum and Colosseum II, he brought in an at the time very young Allan Holdsworth on guitar.
This their first album was released in 1973. It found Hiseman very much holding the reins, writing most of the lyrics, and assuming production duties. The result is quite a heavy album, with less in the way of jazz influences than Colosseum's work. At times the music has suggestions of MOUNTAIN and Coverdale/Hughes era DEEP PURPLE. Generally considered disappointing at the time of its release, the album has actually stood the test of time rather well. Paul Williams rich, jazzy voice can be something of an acquired taste, but on tracks such as the opening "Gorgon" and the almost commercial "Up and on", the power of his voice comes to the fore. Holdsworth's guitar is generally kept in check, but "Up and on" and "Strangher" allows him some freedom.
Mark Clarke takes on vocal duties for the delicate "Grey and black". His voice is less distinctive than Williams', but suits a softer track like this well. The final track, "Upon tomorrow" is the most progressive and adventurous track on the album, with something of a CHICAGO jazz rock feel to it.
Only one further album was to be made under the Tempest name. This their first album found them a little unclear of the direction they wished to take, which probably contributed to their early demise.
This their first album was released in 1973. It found Hiseman very much holding the reins, writing most of the lyrics, and assuming production duties. The result is quite a heavy album, with less in the way of jazz influences than Colosseum's work. At times the music has suggestions of MOUNTAIN and Coverdale/Hughes era DEEP PURPLE. Generally considered disappointing at the time of its release, the album has actually stood the test of time rather well. Paul Williams rich, jazzy voice can be something of an acquired taste, but on tracks such as the opening "Gorgon" and the almost commercial "Up and on", the power of his voice comes to the fore. Holdsworth's guitar is generally kept in check, but "Up and on" and "Strangher" allows him some freedom.
Mark Clarke takes on vocal duties for the delicate "Grey and black". His voice is less distinctive than Williams', but suits a softer track like this well. The final track, "Upon tomorrow" is the most progressive and adventurous track on the album, with something of a CHICAGO jazz rock feel to it.
Only one further album was to be made under the Tempest name. This their first album found them a little unclear of the direction they wished to take, which probably contributed to their early demise.
1. Gorgon
2. Foyers Of Fun
3. Dark House
4. Brothers
5. Up And On
6. Grey And Black
7. Strangeher
8. Upon Tomorrow
2. Foyers Of Fun
3. Dark House
4. Brothers
5. Up And On
6. Grey And Black
7. Strangeher
8. Upon Tomorrow
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