Often regarded, perhaps unfairly, as the "normal" album that followed "No Code", "Yield" is a beast all of its own. What it does display is a band that's really come into itself-- whereas it felt that "Ten" and "Vs." was Pearl Jam escaping their legacy and finding their own feet, "Vitalogy" was a search for a direction, and "No Code" was the push out, "Yield" is in many ways the beginning of the band's second phase-- they know who they are and what kind of music they want to play.
"Yield" has many of the elements of thre preivously albums finally coexisting-- the AOR/arena rock sound (leadoff single "Given to Fly"), the punk numbers in the vein of "Go", "Last Exit", and "Hail Hail" (powerful opener "Brain of J"), the ballads vocalist Ed Vedder can really get himself wrapped into ("Low Light"), but its got a lot more too.
Any belief that this is a straightahead rock record only, take a look at "No Way" or "Push Me, Pull Me", with its odd fills (from various instruments) and falsetto harmonies, or the churning, bubbling "Wishlist"-- a final realization of the sort of sounds "Who You Are" and "In My Tree" leaned towards, although with a self-assurance that allows it to speak on its own. And certainly little on this or any other record can compare to the ecstatic power of "Do the Evolution"-- lyrically and musically one of the most (if not THE most) satisfying songs in Pearl Jam's catalog. Straightahead rock? When all the instruments drop out but the drums and Vedder leads the choir singing "Alleluia"?
Still, if its straightahead rock you're after, look no further than "MFC"-- a great song about hitting the open road and a fantastic piece. The thing about this album is that its got something for anyone who's enjoyed any of Pearl Jam's earlier albums. Confidence, synthesis of sounds, and a settled direction all help to make this one an essential part of the band's catalog. Recommended.
"Yield" has many of the elements of thre preivously albums finally coexisting-- the AOR/arena rock sound (leadoff single "Given to Fly"), the punk numbers in the vein of "Go", "Last Exit", and "Hail Hail" (powerful opener "Brain of J"), the ballads vocalist Ed Vedder can really get himself wrapped into ("Low Light"), but its got a lot more too.
Any belief that this is a straightahead rock record only, take a look at "No Way" or "Push Me, Pull Me", with its odd fills (from various instruments) and falsetto harmonies, or the churning, bubbling "Wishlist"-- a final realization of the sort of sounds "Who You Are" and "In My Tree" leaned towards, although with a self-assurance that allows it to speak on its own. And certainly little on this or any other record can compare to the ecstatic power of "Do the Evolution"-- lyrically and musically one of the most (if not THE most) satisfying songs in Pearl Jam's catalog. Straightahead rock? When all the instruments drop out but the drums and Vedder leads the choir singing "Alleluia"?
Still, if its straightahead rock you're after, look no further than "MFC"-- a great song about hitting the open road and a fantastic piece. The thing about this album is that its got something for anyone who's enjoyed any of Pearl Jam's earlier albums. Confidence, synthesis of sounds, and a settled direction all help to make this one an essential part of the band's catalog. Recommended.
1. Brain of J.
2. Faithfull
3. No Way
4. Given to Fly
5. Wishlist
6. Pilate
7. Do the Evolution
8. (red dot)
9. MFC
10. Low Light
11. In Hiding
12. Push Me Pull Me
13. All Those Yesterdays
2. Faithfull
3. No Way
4. Given to Fly
5. Wishlist
6. Pilate
7. Do the Evolution
8. (red dot)
9. MFC
10. Low Light
11. In Hiding
12. Push Me Pull Me
13. All Those Yesterdays
2 comments:
comme à l' accoutumé, de la musique superbe et des commentaires qui le sont tout autant.
mention speciale pour le dernier titre et sa consonnance beatlesienne sur la fin
;)
altos
Sans compter le petit instru tout joli qui suit et qui est, pour moi, un des musts de ce magnifique album. :)
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