When Rhino Records released The Heavyweight Champion, which collected all John Coltrane's recordings for Atlantic Records, it was finally time to witness in whole how incredible the saxophonist's output was in October 1960. The material for Coltrane's Sound, Coltrane Plays the Blues, and the vastly successful My Favorite Things all came together over the course of several October days. And here, finally, is the missing piece of the October trilogy. Coltrane had pioneered a new musical architecture in early 1959 when he cut the groundbreaking Giant Steps (also available as the 1987 reissue), and with these three albums, he merely extended and exercised the new approach. Bebop was in the rearview, stretchy modal formulations in the distant foreground. In between, 'Trane was using his soprano sax to great effect--as on the low-end wonderland "Central Park West" and part of the cooking "26-2"--and playing closely related chords forwards, backwards, and in instantaneously reconstructed formations. Coltrane's Sound shouldn't surprise, then, with what sound like drop shadows behind other recordings of the 1959-60 period. It's vintage stuff, bristling with his discovery and powerhousing with the utmost sensitivity.
1. Night Has a Thousand Eyes
2. Central Park West
3. Liberia
4. Body and Soul
5. Equinox
6. Satellite
Bonus Tracks
7. 26-2
8. Body and Soul [Alternate Take]
2. Central Park West
3. Liberia
4. Body and Soul
5. Equinox
6. Satellite
Bonus Tracks
7. 26-2
8. Body and Soul [Alternate Take]
2 comments:
The score for the new movie Public Enemies uses the Coltrane theme from Equinox on this session, but I can't find any reference to that nor was there any credit to Coltrane in the film. Thanks for this.
thanks, i get all the coltrane you post on this site
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