BENJAMIN BRITTEN (PT. 3)

THE COLLECTOR'S EDITION (2008)
PART 3
320 KBPS

Disc 11
1-3) String Quartet No.2 in C Op.36
I. Allegro calmo senza rigore
II. Vivace
III. Chacony (Sostenuto)
4-8) String Quartet No.3 Op.94
I. Duets (with Moderate movement)
II. Ostinato (Very fast)
III. Solo (Very calm)
IV. Burlesque (Fast, con fuoco)
V. Recitative and Passacaglia (La Serenissima) (Slow)

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Disc 12
1-9) Cello Suite No.1 in G Op.72
Canto primo: Sostenuto e largamente
I. Fuga: Andante moderato
II. Lamento: Lento, rubato
Canto secondo: Sostenuto
III. Serenata: Allegretto (pizzicato)
IV. Marcia: Alla marcia moderato
Canto terzo: Sostenuto
V. Bordone: Moderato quasi recitative
VI. Moto perpetuo e Canto quarto: Presto
10-14) Cello Suite No.2 in D Op.80
I. Declamento: Largo
II. Fuga: Andante
III. Scherzo: Allegro molto
IV. Andante lento
V. Ciaccona: Allegro
15-23) Cello Suite No.3 Op.87
I. Introduzione: Lento
II. Marcia : Allegro
III. Canto : Con moto
IV. Barcarola: Lento
V. Dialogo: Allegro
VI. Fuga: Andante espressivo
VII. Recitativo: Fantastico
VIII. Moto perpetuo: Presto
IX. Passacaglia: Lento solenne

Disc 13
1-4) Holiday Diary Op.5
I. Early Morning Bathe
II. Sailing
III. Funfair
IV. Night
5-7) Three Character Pieces
I. Pocco allegro vivace
II. Poco andante grazioso
III. Poco presto e molto capriccioso
8) Night Piece (Notturno)
9-10) from Sonatina romantica
Moderato
Nocturne
11) Twelve Variation on a Theme
12-16) Five Waltzes
I. Rather fast and nervous
II. Quick, with wit
III. Dramatic
IV. Rhythmic: not fast
V. Variations: Quiet and simple
17-18) Two Lullabies for Two Pianos
Lullaby
Lullaby for a Retired Colonel
19) Mazurka elegiaca Op.23 No.2
20-21) Introduction & Rondo alla burlesca Op.23 No.1
Introduction
Rondo alla burlesca

Disc 14
1-5) Suite for violin and piano Op.6
Introduction
I. March: Allegro alla marcia
II. Molto perpetuo: Allegro molto con fuoco
III. Lullaby: Lento tranquillo
IV. Waltz: Alla valse: Vivace e rubato
6-10) Cello Sonata in C Op.65
I. Dialogo: Allegro
II. Scherzo-Pizzicato: Allegretto
III. Elegia: Lento
IV. Marcia: Energico
V. Moto perpetuo: Presto
11-16) Six Metamorphoses after Ovid for solo oboe Op.49
I. Pan (Senza misura)
II. Phaeton (Vivace ritmico)
III. Niobe (Andante)
IV. Bacchus (Allegro pesante)
V. Narcissus (Lento piacevole)
VI. Arethusa (Largamente)
17-25) Nocturnal after John Dowland Op.70
I. Musingly (Meditativo)
II. Agitated (Molto agitato)
III. Restless (Inquieto)
IV. Uneasy (Ansioso)
V. March-like (Quasi una marcia)
VI. Dreaming (Sognanti)
VII. Gently rocking (Cullante)
VIII. Passacaglia (Misurato)
IX. Slow and quiet (Tranquillo)

Disc 15
1-18) War Requiem Op.66
- Requiem Aeternam
Requiem aeternam dona eis Domine
What passing bells for these who die as cattle?
Kyrie Eleison
- Dies Irae
Dies irae, Dies illa
Bugles sang, saddening the evening air
Liber scriptus proferetur
Out there, we've walked quiet friendly up to Death
Recordare Jesu pie
Be slowly lifted up, thou long black arm
Dies irae, Dies illa
Lacrimosa dies illa
Move him into the sun...Pie Jesu
- Offertorium
Domine Jesu Christe
So Abram rose, and clave the wood, and went
- Sanctus
Sanctus, sanctus, sanctus
Benedictus qui venit in nomine Domini
After the blast of lightning from the East
- Agnus Dei
Agnus dei

Disc 16
1-3) War Requiem Op.66
(continued)
- Libera me
Libera me, Domine de morte aeterna
It seems that out of battle I escaped
Let us sleep now... In paradisum
4-15) Spring Symphony Op.44
- Part I
Introduction
The Merry Cuckoo
Spring, the sweet Spring
The Driving Boy
The Morning Star
- Part II
Welcome Maids of Honour
Waters above
Out on the lawn I lie in bed
- Part III
When will my May come?
Fair and fair
Sound the flute
- Part IV
Finale: London, to thee I do present