Arriving after years of sonic bombast in Hüsker Dü, the reflective, acoustic nature of Bob Mould's first solo album, Workbook, was a bold statement of renewal. Like all of Mould's work, it's an intensely introspective record, finding him purging demons left over from the dissolution of Hüsker Dü. Instead of relying on raging guitars, Mould explores a wide variety of styles, from pure pop ("See a Little Light") to reflective folk laced with cellos. It's an astonishing array of styles, and the songs are among Mould's finest. For many observers, the record established him as a major songwriter, but it also established a way for underground post-punk artists to mature — echoes of Workbook could be heard throughout the '90s, from R.E.M.'s elegiac Automatic for the People to Nirvana's use of cellos on In Utero and Unplugged. But Workbook remains a stunning work of individuality, marrying a distinctive body of songs with an original musical vision. Occasionally, the production is a little too pristine, but the power of the songs cannot be diminished.
1. Sunspots
2. Wishing Well
3. Heartbreak a Stranger
4. See a Little Light
5. Poison Years
6. Sinners and Their Repentances
7. Brasilia Crossed With Trenton
8. Compositions for the Young and Old
9. Lonely Afternoon
10. Dreaming, I Am
11. Whichever Way the Wind Blows
1 comment:
A truly great album. I missed out on his initial post Husker Du solo work for some reason. Went straight from "the Du" to Sugar.
Between Copper Blue and Beaster I picked up the "best of the Virgin years" compilation "Poison years". And the next day went back to the record shop to get them to order "Workbook" and "Black Sheets Of rain".
I have the "Poison Years" compilation posted on my blog.
http://puppystrangler.blogspot.com/2008/11/bob-mould-poison-years.html
it has great live versions of "Compositions For The Young And Old", "Poison Years", "Brasilia Crossed With Trenton" and an awe inspiring cover of Richard Thompson's "Shoot Out The Lights"
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