XTC

APPLE VENUS VOLUME 1 (1999)
320 KBPS

Seven years is a long time between records, so it shouldn't come as a surprise that Apple Venus is a significant step forward from Nonsuch, but the sparse strings and circular arrangements of "River of Orchids" nevertheless come as a shock, especially since its slow build-up feels as ominous and intellectual as 20th century classical music. It provides the keynote for the album, setting the stage for an ambitious, unpredictable, and strangely beautiful record. Although there are similarities with the pastoral Skylarking or parts of Nonsuch, there is really no comparable record in XTC's canon, given its sustained mood, experimentalism, and glimpses of confession. Colin Moulding wrote the brightest tunes on the record, and while the bouncy "Frivolous Tonight" and "Fruit Nut" will be endearing to any longtime XTC fan, they don't fit the tone of Apple Venus, which feels like an Andy Partridge solo album — not just a confessional, but a grand outpouring of ideas. Partridge insisted that Apple Venus be released in two parts — Gregory left partially because he believed the album would be stronger if it was consolidated to one record — presumably because all his songs on Pt. 1 are of a piece, sharing similar lyrical and musical themes. Split between orchestral and acoustic pop, Apple Venus is alternately lush and melancholy, sometimes within one song. Some of Partridge's darkest work is here, such as the vindictive "Your Dictionary," yet the album overall has a hopeful note — the perfect aural encapsulation of their long, bitter struggle of the '90s. The strike was frustrating for the band and fans alike, but perhaps the extended layoff paid off in sharpening Partridge's focus, since Apple Venus, Pt. 1 easily ranks as one of XTC's greatest works.

1. River of Orchids
2. I'd Like That
3. Easter Theatre
4. Knights in Shining Karma
5. Frivolous Tonight
6. Greenman
7. Your Dictionary
8. Fruit Nut
9. I Can't Own Her
10. Harvest Festival
11. The Last Balloon

WASP STAR:
APPLE VENUS VOLUME 2 (2000)
320 KBPS

Anyone expecting Wasp Star: Apple Venus, Vol. 2 to continue the majestic acoustic-orchestral blends of Apple Venus will be disappointed, because it's a straightforward collection of sharp, witty, well-constructed pop songs. Directness is perhaps the oddest thing about Wasp Star - it's unassuming pop from a band that operated on a conceptual plain for nearly 20 years. It could be argued that all the songs that fit a dark, introspective mood went to Apple Venus, XTC's first album after seven years in exile, while Wasp Star wound up as a clearinghouse for everything else. If that is true, it ignores a basic fact — XTC's leftovers are better than most band's keepers. "Leftovers" isn't quite an accurate term, either. These songs are orphans, tunes without a particular project, which may mean that Wasp Star is an album of moments, but there's plenty to cherish here. Colin Moulding is in fine shape, with the spare "Boarded Up" and the clever "Standing in for Joe." Andy Partridge has a few tricks up his sleeve — his compositions are heavy on electric guitars, he builds "Wounded Horse" around a blues riff, and "You and the Clouds Will Still Be Beautiful" is just about the breeziest thing he's ever written — but for the most part, he's in pop craftsman mode, turning out expert, layered tunes that may not push his talents but certainly exploit his capabilities to their fullest. After all, most pop bands would give their eyeteeth to have songs as smart, melodic, and memorable as "Playground," "Stupidly Happy," "My Brown Guitar" and "I'm the Man Who Murdered Love" as their orphans — and if these constitute an average XTC album, that's a testament to what a terrific band they are.

1. Playground
2. Stupidly Happy
3. In Another Life
4. My Brown Guitar
5. Boarded Up
6. I'm The Man Who Murdered Love
7. We're All Light
8. Standing In For Joe
9. Wounded Horse
10. You And The Clouds Will Still Be Beautiful
11. Church Of Women
12. The Wheel And The Maypole