Highly ambitious, challenging, idiosyncratic, and confounding, Boys for Pele expands on the more experimental and progressive tendencies of Under the Pink. Amos frequently discards traditional song structures and employs wide-ranging, eclectic instrumentation in her music, while her lyrics seem to grow even more obscure, giving the album a very impressionistic feel. While there are certainly worthwhile moments, her experiments don't always work; some of the songs fail to stick, and it takes a few plays before many start to sink in. Ultimately, Boys for Pele is polarizing: Some Amos fans will only admire her more for taking the risks she does, while others may find to their disappointment that the intimacy and personal connection that helped Amos build her fan base are too difficult to detect.
1. Horses
2. Blood Roses
3. Father Lucifer
4. Professional Widow
5. Mr. Zebra
6. Marianne
7. Caught a Lite Sneeze
8. Muhammad My Friend
9. Hey Jupiter
10. Way Down
11. Little Amsterdam
12. Talula
13. Not the Red Baron
14. Agent Orange
15. Doughnut Song
16. In the Springtime of His Voodoo
17. Putting the Damage On
18. Twinkle
Bonus Tracks
19. London Girls
20. That's What I Like (The Sandwich Song)
21. Samurai
2. Blood Roses
3. Father Lucifer
4. Professional Widow
5. Mr. Zebra
6. Marianne
7. Caught a Lite Sneeze
8. Muhammad My Friend
9. Hey Jupiter
10. Way Down
11. Little Amsterdam
12. Talula
13. Not the Red Baron
14. Agent Orange
15. Doughnut Song
16. In the Springtime of His Voodoo
17. Putting the Damage On
18. Twinkle
Bonus Tracks
19. London Girls
20. That's What I Like (The Sandwich Song)
21. Samurai
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