NINE INCH NAILSTHE DOWNWARD SPIRAL (1996)
320 KBPS
The Downward Spiral positioned Trent Reznor as industrial's own Phil Spector, painting detailed, layered soundscapes from a wide tonal palette. Not only did he fully integrated the crashing metal guitars of Broken, but several newfound elements — expanded song structures, odd time signatures, shifting arrangements filled with novel sounds, tremendous textural variety — can be traced to the influence of progressive rock. So can the painstaking attention devoted to pacing and contrast — The Downward Spiral is full of striking sonic juxtapositions and sudden about-faces in tone, which make for a fascinating listen. More important than craft in turning Reznor into a full-fledged rock star, however, was his brooding persona. Grunge had the mainstream salivating over melodramatic angst, which had always been Reznor's stock in trade. The left-field hit "Closer" made him a postmodern shaman for the '90s, obsessed with exposing the dark side he saw behind even the most innocuous façades. In fact, his theatrics on The Downward Spiral — all the preening self-absorption and serpentine sexuality — seemed directly descended from Jim Morrison. Yet Reznor's nihilism often seemed like a reaction against some repressively extreme standard of purity, so the depravity he wallowed in didn't necessarily seem that depraved. That's part of the reason why, in spite of its many virtues, The Downward Spiral falls just short of being the masterpiece it wants to be. For one thing, fascination with texture occasionally dissolves the hooky songwriting that fueled Pretty Hate Machine. But more than that, Reznor's unflinching bleakness was beginning to seem like a carefully calibrated posture; his increasing musical sophistication points up the lyrical holding pattern. Having said that, the album ends on an affecting emotional peak — "Hurt" mingles drama and introspection in a way Reznor had never quite managed before. It's evidence of depth behind the charisma that deservedly made him a star.
1. Mr. Self Destruct
2. Piggy
3. Heresy
4. March Of The Pigs
5. Closer
6. Ruiner
7. The Becoming
8. I Do Not Want This
9. Big Man With A Gun
10. A Warm Place
11. Eraser
12. Reptile
13. The Downward Spiral
14. Hurt
2. Piggy
3. Heresy
4. March Of The Pigs
5. Closer
6. Ruiner
7. The Becoming
8. I Do Not Want This
9. Big Man With A Gun
10. A Warm Place
11. Eraser
12. Reptile
13. The Downward Spiral
14. Hurt
2 comments:
I know Nine Inch Nails industrial approach to music is supposed to sound distorted, but compare the tracks posted here with others. There's something going on that Trent Reznor didn't intentionally put in the music. I've compared it with another version, at 192 kbps, and the distortion doesn't exist. It's mostly in the vocals, and you can hear it from the beginning.
By the way, you have a great site, I enjoy your selections and appreciate the work you put into New Moodswings! And thanks for the Klemmer!
Moodswings is a great site!
I have to agree with you on the fact that The Downward Spiral falls just short of being a masterpiece!
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